Today in our Theatres
LEDOUX LEDOUX
Thursday 06.10
15:00
ledoux
Carte blanche: Dominique Loreau ⁄ Films de Jadis ⁄ Het Zilveren Scherm
Amarcord ⁄ color ⁄ 123' ⁄ ST-OND: FR-NL
Federico Fellini, Italy, France 1973, Magali Noel, Bruno Zanin, Pupella Maggio
19:00
ledoux
Carte blanche: Dominique Loreau
L'Une chante, l'autre pas / De ene zingt, de ander niet ⁄ color ⁄ 104' ⁄ ST-OND: NL
Agnes Varda, France, Belgium, Canada 1976, Thérèse Liotard, Valérie Mairesse, Robert Dadiès
PLATEAU PLATEAU
Thursday 06.10
18:00
plateau
Muets ⁄ Stille films André Antoine
L'Hirondelle et la Mésange / The Swallow and the Titmouse ⁄ black and white ⁄ 76' ⁄ TIT: FR ⁄ ST-OND: — ⁄ PIANO
Andre Antoine, France 1920, Pierre Alcover, Maguy Deliac, Georges Denola
20:00
plateau
Haroun Tazieff et les volcans ⁄ Haroun Tazieff en de vulkanen
The Devil at Four O'clock / Le Diable à 4 heures ⁄ color ⁄ 123' ⁄ ST-OND: FR-NL
Mervyn Le Roy, United States of America 1961, Spencer Tracy, Frank Sinatra, Kerwin Mathews
CINEMATEK@FLAGEY
FLAGEY, Place Sainte-Croix, 1050 Bruxelles 02 641 10 20
Cycles
01.09 > 13.10
L'antiquité à l'écran ⁄ De oudheid op het witte doek
When cinema delves into antiquity, it shares with archaeology the dream of recreating a vanished world by balancing the wholes and the voids, the fragments and the gaps, knowledge and imagination.
Authors of untold stories and creators of images and suggestions that are certainly related to history, but which at the same time are – paradoxically – always new, the archaeologist and the filmmaker aim to bring the past back to life, so that it can continue to inhabit the present and speak to those willing to listen to it.
Time and image, notions at the very heart of the resurrection process implemented by both, archaeology and cinema, will be the protagonists of this symposium. Bringing together specialists in cinema studies and literature as well as archaeologists and historians, this gathering will provide an opportunity to examine the way in which cinema and archaeology alike might succeed in restoring the past through representations and narratives capable of reshaping antiquity’s material traces, sites and characters.
