EDUCATION

SPECIAL EVENT – Hybrid booths, nomadic projectionists
CHALLENGES OF CONTEMPORARY ARCHIVAL FILM PROJECTION

Nevertheless, there is an increasing number of cultural structures outside of commercial distribution and also outside of archive networks that wish to include heritage programming in their activities. This evening proposes a discussion about contemporary projection booths and the challenges of projection itself, especially for archival films. A first roundtable will discuss technical installations and the (re)activation of projection booths, while a second round­table will address the tech­nical needs of collections and archives for the circulation of their films. The discussions will be accompanied by short films, and the evening will close with a feature film which deliberately leaves the choice of assembling its reels up to the projectionist.

Cet événement est organisé avec la participation de Deniz Erdem (chercheuse et projectionniste, Bruxelles) et suit l'atelier de projection qui aura lieu à CINEMATEK avec le soutien de l’ACE (Association des Cinémathèques Européennes) et de la FIAF (Fédération Internationale des Archives du Film).



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Friday 08.11 17:00 LEDOUX Cart

SPECIAL EVENT – Hybrid booths, nomadic projectionists
ROUND TABLE

Hosting or (re)activating a projection booth
  • CINEMATEK ⁄ 120'

With Jean-Louis Gérard (technician, installer of projection booths, Aarschot), Erwin van ‘t Hart (projectionist and programmer, Rotterdam/Brussels) and Jean Pierre Verscheure (technician, collector and historian of cinema techniques, Mons).

  

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Friday 08.11 19:30 LEDOUX Cart

SPECIAL EVENT – Hybrid booths, nomadic projectionists
ROUND TABLE

Exigences techniques des archives de films
  • CINEMATEK ⁄ 90' ⁄ FR

  

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Friday 08.11 21:30 LEDOUX Cart

SPECIAL EVENT – Hybrid booths, nomadic projectionists

Autrement, la Molussie
  • Nicolas Rey, France 2012 ⁄ Peter Hoffmann ⁄ color ⁄ 81' ⁄ ST - OND: FR

Prisoners in an imaginary fascist state, Molussia, tell each other stories about the outside world as political and philosophical fables. The film is based on fragments from The Molussian Catacomb, a German novel written between 1932 and 1936 by Günther Anders. Screening introduced by Nicolas Rey (director).