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restauration
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CINEMATEK, Restauration
While most people can easily define what a museum or library is, understanding the purpose and mission of a “Cinémathèque” or Film Archive can be more complicated. What does the term “Cinémathèque” mean, and what role does it play? What happens behind its doors once the projectors are turned off and the audience has left? In two articles, CINEMATEK will explore its dual role—both as a museum and on its mission of preservation and restoration. We will share the history of our spaces and invite you to explore them through an online immersive 3D tour.
DOSSIERS
Chantal Akerman, Restauration
The restoration of Chantal Akerman’s film Demain on déménage by the Royal Film Archive of Belgium took place while the institution was preparing and organizing the retrospective dedicated to her from March to July 2024. This provides an opportunity to reflect on and examine over ten years of work on the restoration of her films. Arianna Turci and Bruno Mestdagh, heads of the film collections, and Christophe Tondeur, an expert in film restoration, explain the restoration work.
DOSSIERS
Restauration
The man who had his hair cut short is one of the first Belgian films with an international career. The screenplay of this debut film by André Delvaux, one of the classics of Flemish magic-realist cinema, is based on the novel of the same name by Johan Daisne. The main character, lawyer Govert Miereveld, teaches at a girls' school in a provincial town. He harbours a secret platonic love for his pupil Fran, which plunges him into a downward spiral of mental disorientation.
