Restored

Restored

Bandits of Orgosolo
Bandits à Orgosolo
Banditi a Orgosolo

• Vittorio De Seta, Italy 1961 ⁄ Vittorina Pisano, Michele Cossu, Peppeddu Cuccu ⁄ black and white ⁄ 95' ⁄ ST-OND: FR

Restored

Les Noces barbares

• Marion Hansel, Belgium, France 1987 ⁄ Marianne Basler, Thierry Frémont, Yves Cotton ⁄ color ⁄ 99' ⁄ ST-OND: NL

Restored

Caro Diario

• Nanni Moretti, Italy, France 1993 ⁄ Nanni Moretti, Renato Carpentieri, Giovanna Bozzolo ⁄ color ⁄ 100' ⁄ ST-OND: FR - NL

Restored

The Norrtull Gang
Norrtullsligan

• Per Lindberg, Sweden 1923 ⁄ Tora Teje, Inga Tidblad, ⁄ black and white ⁄ 76' (24 fps) ⁄ TIT: SW ⁄ ST-OND: EN ⁄ PIANO

Four working girls sharing an apartment in the big city in this 1923 feature from Sweden. The film narrates the life and complications of this collective of office girls in a male-dominated world. It deals with issues such as female solidarity, the place of women in the labor market and the fight for civil rights, the conflict between love and work.

Restored

La Vie est belle

• Benoit Lamy, Mweze Ngangura 1987 ⁄ Papa Wemba, Bibi Krubwa, Landu Nzunzimbu Matshia ⁄ color ⁄ 82' ⁄ ST-OND: FR

Restored

Beyrouth, la rencontre
Beirut the Encounter
Beyroutou el lika

• Borhane Alaouie, Lebanon, Tunisia, Belgium 1981 ⁄ Haithem el Amine, Nadine Acoury, Najoua Haydar ⁄ color ⁄ 101' ⁄ ST-OND: FR - NL

Restored

Satori Stress

• Jean-Noël Gobron, Belgium 1984 ⁄ Akiko Inamura, Jean-Noël Gobron ⁄ color ⁄ 78' ⁄ ST-OND: FR

Restored

Goodbye, Dragon Inn
Bu San

• Tsai Ming-liang, Taiwan 2003 ⁄ Kang-sheng Lee, Shiang-chyi Chen, Kiyonobu Mitamura ⁄ color ⁄ 81' ⁄ ST-OND: FR-NL

FIPRESCI Award-winner at the Venice Film Festival in 2003, Goodbye, Dragon Inn feels even more potent today than it did upon initial release. It’s a film that makes you yearn for those imperfect spaces that are feeling increasingly out of reach. With scarce dialogue, few camera movements, and an average shot length of 55 seconds, it offers a deeply contemplative meditation on the forgotten magic of the cinema as an institution.

Restored

Variety

• Bette Gordon, United States of America, West Germany, United Kingdom 1983 ⁄ Sandy McLeod, Will Patton, Richard M. Davidson ⁄ color ⁄ 100' ⁄ ST-OND: FR

Restored

La Règle du jeu

• Jean Renoir, France 1939 ⁄ Marcel Dalio, Nora Gregor, Paulette Dubost ⁄ color ⁄ 110' ⁄ ST-OND: —

Restored

Marquis

• Henri Xhonneux, BE, FR 1989 ⁄ Bien De Moor, Gabrielle Van Damme, Philippe Bizot ⁄ color ⁄ 82' ⁄ ST-OND: NL

Restored

Dark Star - L’étoile noire
Dark Star

• John Carpenter, United States of America 1974 ⁄ Dan O'bannon, Dre Pahich, Brian Narelle ⁄ color ⁄ 83' ⁄ ST-OND: FR

The crew of the Dark Star are on a 20-year mission to clear a path in space by destroying planets that are in the way of navigation routes. After a series of mishaps Mother, the ships computer, can no longer persuade Bomb not to detonate. Even the dead captain is of little help in arguing with Bomb who is bound to do his duty.

Restored

Django

• Sergio Corbucci, Italy, Spain 1966 ⁄ Franco Nero, José Bódalo, Loredana Nusciak ⁄ color ⁄ 91' ⁄ ST-OND: FR

This name should be unmistakable now, after Tarantino’s controversial hit, tribute. The original Django himself showed up in the film. Franco Nero basically offers a riff on the Clint Eastwood archetype, but absolutely delivers. He has plenty of attitude, and sells the mystery of his character, embellished even by the theme song. The mythology of the character is fascinating, despite the story’s resemblance to A Fistful of Dollars. Django drags a coffin around with him everywhere, and the big reveal of its contents is one of the best payoffs anywhere. The music and enthusiastic camerawork are infectious, creating a definitive addition to the genre.

Restored

Quién sabe?

• Damiano Damiani, Italy 1967 ⁄ Gian Maria Volontè, Klaus Kinski, Martine Beswick ⁄ color ⁄ 118' ⁄ ST-OND: FR

The earliest of the Zapata westerns, Damiano Damiani’s film is also one of the first – and most highly praised – of the more political spaghetti westerns. Concerned with how social injustice can turn Mexican bandits into revolutionaries, the story sees bandit chief El Chuncho enlist the help of an American gringo in a raid on an artillery train in order to supply a rebel general with ammunition in the Mexican revolution. The two become friends, but the gringo is not all he seems, and so begins a tale of loyalty, betrayal and political assassination.

Restored

De niet verzonden brief
La Lettre inachevée
Neotpravlennoe pismo

• Mikhail Kalatozov, Soviet Union 1960 ⁄ Innokentiy Smoktunovskiy, Tatyana Samoylova ⁄ black and white ⁄ 96' ⁄ ST-OND: NL

Restored

The Crossing
La Traversée

• Sebastien Lifshitz, France 2001 ⁄ Stéphane Bouquet ⁄ color ⁄ 85' ⁄ ST-OND: FR

Restored

Basic Instinct

• Paul Verhoeven, United States of America 1992 ⁄ Michael Douglas, Sharon Stone, George Dzundza ⁄ color ⁄ 127' ⁄ ST-OND: FR-NL

Restored

Deux sous d’espoir
Two Cents Worth of Hope
Due soldi di speranza

• Renato Castellani, IT 1952 ⁄ Maria Fiore, Vincenzo Musolino, Filomena Russo ⁄ black and white ⁄ 100' ⁄ ST-OND: FR

Restored

A Bigger Splash

• Jack Hazan, UK 1973 ⁄ David Hockney, Peter Schlesinger, Celia Birtwell ⁄ color ⁄ 106' ⁄ ST-OND: FR

Restored

Toute une nuit

• Chantal Akerman, Belgium, France 1982 ⁄ Aurore Clement, Tchéky Karyo, Frank Aendenboom ⁄ color ⁄ 89' ⁄ ST-OND: NL

Restored

American Torso
Amerikai anzix

• Gabor Body, Hungary 1975 ⁄ Sándor Csutoros, György Cserhalmi, András Fekete ⁄ black and white ⁄ 100' ⁄ ST-OND: FR

Restored

Dans la nuit

• Charles Vanel, France 1929 ⁄ Charles Vanel, Sandra Milovanoff, Christiane Tourneur ⁄ black and white ⁄ 90' ⁄ TIT: FR ⁄ ST-OND: EN ⁄ PIANO

Restored

Badou Boy + Contras' city

Djibril Diop Mambéty’s stunning early work highlights his satirical eye on the iniquities of post-colonial Dakar. Contras’ City sets the self-conscious grandeur of Dakar’s colonial architecture against the sights and sounds of its local people, their ironic distance heightened by a soundtrack that veers between traditional kora and the Marseillaise. Badou Boy is even more dazzlingly inventive in its sound design, sketching a gallery of vibrant local characters into a wonderfully witty, darkly satirical play on Chaplin-esque comedy, as a policeman pursues the titular street urchin across the city.

Restored

L’Ascension
The Ascent
Voskozdenie

• Larissa Chepitko, USSR - URSS 1976 ⁄ Boris Plotnikov, Vladimir Gostyukhin, Sergey Yakovlev ⁄ BW ⁄ 111' ⁄ ST-OND: DE

Restored

Nobody Knows
Dare mo shiranai

• Hirokazu Kore-eda, Japan 2004 ⁄ Yûya Yagira, Ayu Kitaura, Hiei Kimura ⁄ color ⁄ 141' ⁄ ST-OND: FR - NL

Restored

Old Joy

• Kelly Reichardt, United States of America 2006 ⁄ Daniel London, Daniel London, Tanya Smith ⁄ color ⁄ 76' ⁄ ST-OND: FR

Restored

The Rites of May
Les Rites de mai
Itim

• Mike De Leon, Philippines 1977 ⁄ Tommy Abuel, Mario Montenegro, ⁄ color ⁄ 105' ⁄ ST-OND: FR