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BIBLIOTHEEK

71 RESULTATEN VOOR ZOEKOPDRACHT IN DE BOEKEN : LAATSTE AANWINSTEN (AUGUSTUS 2019)

ANARCHIST CINEMA | THE - Newton | James

ANTISÉMITISME ET HOMOPHOBIE - Meyer-Plantureux | Chantal

ART OF AMERICAN SCREEN ACTING: 1912-1960 | THE - Callahan | Dan

ART OF AMERICAN SCREEN ACTING: 1960 TO TODAY | THE - Callahan | Dan

BERNANOS AU CINÉMA - Estève | Michel

BLACK AND WHITE BIOSCOPE - Parsons | Neil

BRITPOP CINEMA - Glasby | Matt

CHRIS MARKER, LES MÉDIAS ET LE XXe SIECLE - Jacques | Vincent

CINEMA BEYOND THE CITY - Thissen | Judith

CINEMA OF THINGS | THE - Ezra | Elisabeth

CINEMA/POLITICS/PHILOSOPHY - Baumbach | Nico

CITING CHINA - Marchetti | Gina

COEN BROTHERS | THE - Nayman | Adam

CRITICAL MASS - Ungar | Steven

DÉCONSTRUIRE AU CINÉMA - Arouimi | Michel

DERRIERE LE RIDEAU - Dupuis | Joachim Daniel

DYNAMIC FRAME | THE - Keating | Patrick

ÉLOGE DE L'ATTRACTION - Brun | Patrick

ENCYCLOPÉDIE DES LONGS MÉTRAGES FRANÇAIS DE FICTION 1929-1979 - De Lorme | Armel

EXPOSING VULNERABILITY - Dancus | Adriana Margareta

FEDERICO FELLINI, LE MÉTIER DE CINÉASTE - Cirio | Rita

FILMS OF MIRA NAIR | THE - Singh | Amardeep

FISSURES - Arnoldy | Édouard

FROM MÉLIES TO NEW MEDIA - Haslem | Wendy

FUNNY MAN: MEL BROOKS - McGilligan | Patrick

GRAVITÉ: SUR BILLY WILDER - Burdeau | Emmanuel

HAARLEM FILMSTAD - Hosman | Harry

HARRYHAUSEN - Holliss | Richard

HAYAO MIYAZAKI ET L'ACTE CRÉATEUR - Trouillard | Emmanuel

HITCHCOCK ANNUAL 2018 - Gottlieb | Sidney

HONORER LA FUREUR - Barry | Rodolphe

IL EST DIFFICILE D'ETRE UN DIEU - Zvonkine | Eugénie

IN PERSON - Margulies | Ivone

JOAN CRAWFORD, HOLLYWOOD MONSTER - Donzel | Maxime

LATE FILMS OF CLAUDE CHABROL | THE - Leigh | Jacob

LATIN AMERICAN FILM INDUSTRIES - Falicov | Tamara L.

LIFE IN MOVIES | A - Winkler | Irwin

MEL GIBSON, SUR LA BRECHE - Rostac | Matthieu

MIXING WORK WITH PLEASURE - Toshio | Suzuki

MONDE ET SON DOUBLE | UN - Marinone | Isabelle

MOVIES AS A WORLD FORCE | THE - Friedman | Ryan Jay

MOVIE STILL IDENTIFICATION BOOK - Poole | Ed

MOVIE STILL IDENTIFICATION BOOK - Poole | Ed

MOVIE STILL IDENTIFICATION SUPPLEMENT - Poole | Ed

MYSTERIES OF CINEMA - Martin | Adrian

NEW BERLIN 1912-1932 | THE - Rossi-Schrimpf | Inga

NEW BERLIN 1912-1932 | THE - Rossi-Schrimpf | Inga

NOSFERATU: A SYMPHONY OF HORROR - Massaccesi | Cristina

PALGRAVE HANDBOOK OF POSTHUMANISM IN FILM AND TELEVISION | THE - Hauskeller | Michael

POÉSIE-TRADUCTION-CINÉMA / POETRY-TRANSLATION-FILM - Dussol | Vincent

POSITIONING ART CINEMA - King | Geoff

PRODUCTION CODE BASICS FOR MOVIE STILL COLLECTORS - Poole | Ed

QUAND FELLINI RÊVAIT DE PICASSO - Norcia | Audrey

REGARDEZ ATTENTIVEMENT LES REVES - Zvonkine | Eugénie

RENCONTRES - Vigo | Luce

REWRITING INDIE CINEMA - Murphy | J.J.

RUNAWAY HOLLYWOOD - Steinhart | Daniel

SCENARIOS II - Herzog | Werner

SECULAR MAGIC AND THE MOVING IMAGE - Sexton | Max

SHINING | THE - Mee | Laura

SILENT CINEMA - Cherchi Usai | Paolo

SKEPTICISM FILMS - Schmerheim | Phillip

SPACES OF WOMEN'S CINEMA - Thornham | Sue

TREIZE OZU, 1949-1962 - Frodon | Jean-Michel

VOYAGE DE CHIHIRO | LE - O'Neill | Eithne

WANG BING - Fiant | Antony

WERNER HERZOG - Eldridge | Richard

WES ANDERSON - Monks Kaufman | Sophie

WHAT IS JAPANESE CINEMA? - Yomota | Inuhiko

WHAT PHILOSOPHY WANTS FROM IMAGES - Rodowick | D.N.

WILD BUNCH | THE - Stratton | W.K.